About Me

Currently, I both live and work in London.

Outside of the digital art world, I work full-time, which can provide some challenges however, my driving desire is to eventually create official portrait work for big brands that could be used in magazines or music/art issues.

To achieve that, I'm always drawing and working on my next big thing, consistently refining my style.

So far, I have been mentioned and reposted by the rap/ hip-hop magazine brand XXL, DJ Scheme, Ski Mask the Slump God and Ne-Yo. I have also had the amazing opportunity of being involved in the 3D model creation of a fun little character I drew of Slowthai, after he loved the artwork so much, he even had it as his phone wallpaper!

I've also been involved in numerous volumes of the upcoming youth culture magazine 4GOT10, including having been asked to draw the cover of Season 2 Volume 2.

  • Getting YOUR work in a Gallery (2024)

    Getting YOUR work in a Gallery (2024)

    Jasara Boyd

    On the 12th January 2024, for the first time ever, my work was exhibited at an East London Gallery called 'The Holy Art Gallery. Before this point, I was applying for ANY gallery, ANY...

    Getting YOUR work in a Gallery (2024)

    Jasara Boyd

    On the 12th January 2024, for the first time ever, my work was exhibited at an East London Gallery called 'The Holy Art Gallery. Before this point, I was applying for ANY gallery, ANY...

  • "Pxrple Wrld" (2024)

    "Pxrple Wrld" (2024)

    Jasara Boyd

    "...finding love and using that as a crutch, although sometimes it may not be enough to battle addiction."

    "Pxrple Wrld" (2024)

    Jasara Boyd

    "...finding love and using that as a crutch, although sometimes it may not be enough to battle addiction."

  • "Butterflies 2017" (2023)

    "Butterflies 2017" (2023)

    Jasara Boyd

    "...a lot of personality and brightness within this work however, deep down there is an underlying darkness and call for help..."

    "Butterflies 2017" (2023)

    Jasara Boyd

    "...a lot of personality and brightness within this work however, deep down there is an underlying darkness and call for help..."

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